gf2024上海超级杯赛后采访与赛季展望
以赛代练，适应竞技压力
参加此类大奖赛前的比赛主要目的是获取反馈并提升整体表现 。重点在于确保在节目结束时保持良好的身体状态 。尽管在练习中完成整套动作已感到舒适，但正式比赛带来的肾上腺素、准备工作和心理压力截然不同 。因此，选择在主要赛事前参加两场比赛，旨在提前适应这种高强度的竞技感觉 。
考斯滕（演出服）设计理念与演变
* 服装来源与个性化改造
针对粉丝关心的考斯滕含义问题，运动员透露该服装基础款购自网络，是其职业生涯中首次尝试网购演出服 。为了使其更贴合个人风格及身体线条，团队对服装进行了细节调整和装饰，例如增加了原本没有的线条和局部装饰，以解决合身度问题并增强个性化特征 。这套服装曾用于上一赛季的表演滑（Gala），并为本赛季的自由滑节目提供了灵感 。
* 从“趣味”到“深度”的主题升华
关于为何将表演滑的服装概念延伸至正式的自由滑节目，运动员解释道，上一赛季的表演滑主题为“喜剧风格”，侧重于趣味性 。在新赛季中，团队希望保留“机器人”和“人工智能”的核心视觉元素，但将其转化为更严肃、更深邃的艺术表达 。因此，自由滑节目沿用了表演滑的第一段音乐，并在此基础上扩展了音乐结构和叙事深度，实现了从娱乐向竞技艺术性的转变 。
奥运资格赛备战策略
* 循序渐进，专注当下
鉴于即将到来的赛季涉及本国奥运资格赛的重要性，记者询问了具体的备战计划 。运动员回应称，备战策略将与去年及前年保持一致，因为大奖赛、大奖赛总决赛、欧洲锦标赛及世界锦标赛均是奥运资格的关键节点 。团队主张不过度焦虑于最终的奥运资格结果，而是采取“一步一个脚印”的方式，专注于当前赛季的每一场比赛，逐步推进至下一个阶段 。
English Translation
Translated from the Chinese article published by MS Sport Media.
Guignard / Fabbri: Developing a New Free Dance Through Competition
Preparing for the demands of the Grand Prix
For Charlène Guignard and Marco Fabbri, competing before the Grand Prix series is an opportunity to gather feedback and strengthen the overall performance. One priority is to finish the program in better physical condition.
Although full run-throughs have begun to feel comfortable in training, competition brings a different combination of adrenaline, preparation and pressure. That is why they chose to enter two events before the Grand Prix: to become accustomed to those sensations before the season’s major competitions.
A costume made their own
Asked about the costume that had caught the attention of Chinese fans, they explained that, for the first time, they had bought the basic suit online.
It still needed adjustments. They added details, decorative elements and lines to improve the fit and give it a more personal identity. The costume had featured in their exhibition program the previous season, which in turn inspired the new free dance.
They initially considered creating a new costume, but ultimately felt that this one remained the best fit for the concept. With further decoration, they decided to keep it.
From a playful exhibition to a more searching free dance
The previous season’s exhibition had taken a comic, light-hearted approach. They enjoyed it enough to explore how its central ideas—robots and artificial intelligence—might develop into something more serious for competition.
They retained the first piece of music from the exhibition, then added further sections to expand the structure and deepen the concept. The intention was to preserve the distinctive visual language while giving the free dance a more substantial expressive range.
Taking the Olympic journey one competition at a time
Asked about preparation with Olympic qualification on the horizon, they described an approach consistent with previous seasons. They view the Grand Prix series, Grand Prix Final, European Championships and World Championships as important stages in that preparation.
Rather than become preoccupied with the eventual outcome, they want to concentrate on the competition in front of them and progress step by step.
